This composition for Piano includes 6 page(s). It is performed by John Coltrane. The style of the score is 'Jazz'. Catalog SKU number of the notation is 99564.

I got really fed up with the Real Book version, so I tried to do a lead sheet that.

This score was originally published in the key of Emi. Authors/composers of this song: Lyrics by OSCAR HAMMERSTEIN II Music by RICHARD RODGERS. This score was first released on Thursday 29th August, 2013 and was last updated on Wednesday 8th February, 2017. The arrangement code for the composition is PF. Kahin to hoga serial songs free download mp3.

This text simply contains detailed info on how to uninstall STARTER V4.4.1.0 supposing you decide this is what you want to do. Software Application Disclaimer The text above is not a recommendation to uninstall STARTER V4.4.1.0 by Siemens AG from your computer, nor are we saying that STARTER V4.4.1.0 by Siemens AG is not a good application for your PC. The information above contains registry and disk entries that our application Advanced Uninstaller PRO stumbled upon and classified as 'leftovers' on other users' computers.

Minimum required purchase quantity for these notes is 1. Please check if transposition is possible before your complete your purchase. Transpose / Free sheet music.

I got really fed up with the Real Book version, so I tried to do a lead sheet that would get the Coltrane version. I used what I think was the original 'hit' recording. Kind of hard to boil this one down to a useable leadsheet -- I wanted to come up with something fairly similar to what I thought the group (Trane, Tyner, Garrison, Jones) might have in their mind at the time when they recorded it. Goal wasn't a 'transcription,' but, rather just a useable leadsheet that got the essence of the thing -- Though I still probably weaseled a bit on the melody and just transcribed it rather than trying to strip it of unessentials. I was hoping to come up with something that would actually be useable and put an end to the wretched reading-out-of-the-Real-Book version that ends up being played too often. A lot of tough decisions: Like whether to include the pedal bass in the chords, what to do about the vamp lengths, how to change from section to section and still have some semblance of a form, etc., etc.

ScotGormley 26/3/2010, 1:36 น. I'm still going back and forth over a few chord names, like whether the F#-7(9,11)/B in the intro should just be a Bsus13, More importantly: Whether the chord between the A-7(9)/E and B-7/E in bar 10 from the 'Top' should be D13(b9)/E or B7(b9)/E. Same thing for the last chord before the vamp out -- Whether to call it B7(b9)/E or D13(b9)/E. In both cases the structure is B F# D# C E (bass) The four-note stack above the bass is a pretty common and logical piano voicing. Trouble is, it could go either way -- Today I'm leaning toward B7(b9)/E in bar 10 (right now it's D13(b9)/E), since I hear it more as an E minor tonality than a diminished thing. In either case, the E in the melody doesn't conflict vertically because the comping happens on the 2nd beat, after the E has moved to an F#.

Today, D13(b9)/E in the bar before the Coda just because it makes more sense going to the Gmaj7. Maybe I'll change my mind again tomorrow. YMMV -- Maybe we'll eventually get a consensus on those chords. 'Des Higgins' wrote in message news:8fe7b0df-8429-44d2-94e2-ea611842f95d@g28g2000yqh.googlegroups.com. Catha.@gmail.com 6/4/2015, 13:27 น.