This slipcased survey of art history covers the masterworks of the Western world and also provides exhaustive coverage of the unique traditions of Asia, Africa, the Middle East, and more, producing a resource that is refreshingly global in scope. The essays, which pay special attention to the context of each artwork, are accompanied by nearly 2,000 illustrations. With a gl This slipcased survey of art history covers the masterworks of the Western world and also provides exhaustive coverage of the unique traditions of Asia, Africa, the Middle East, and more, producing a resource that is refreshingly global in scope. The essays, which pay special attention to the context of each artwork, are accompanied by nearly 2,000 illustrations.

Art History Volume 2 5th Edition Stokstad Writer Crise. Resources art history volume 2 5th edition stokstad to word advklever sidewalk vidmoon 068 art. Art: A Brief History / Edition 5 Art. 120 art history fifth edition marilyn stokstad anatomy of an. Art History Volume I, Fifth Edition, 707. Civilization, Volume I, 5th Edition, 167.

With a glossary of essential art terms, a special techniques section, and the inclusion of architectural drawings and plans, Stokstad's Art History is an exemplary reference for students and professionals alike. Basically what you'd expect when you hear the words 'art history textbook': dry, boring, too many names and dates and not nearly enough political/social/historical context to explain why the particular works are significant. This really only covers Western art history and skims over the rest of the world with multiple cultures crammed in only a few chapters while the sections on Western movements (comprising 95% of the book) include a lot of unnecessary details (eg. Gossip-y minutia about the ar Basically what you'd expect when you hear the words 'art history textbook': dry, boring, too many names and dates and not nearly enough political/social/historical context to explain why the particular works are significant. This really only covers Western art history and skims over the rest of the world with multiple cultures crammed in only a few chapters while the sections on Western movements (comprising 95% of the book) include a lot of unnecessary details (eg. Gossip-y minutia about the artists' lives).

Art History by Stokstad et al. Is widely used as the textbook for introductory art history courses. From the start it’s clear how this is what both the two volume and the abridged single volume editions are meant for. Keeping that in mind, I’d say it’s not a bad textbook.

As far as I can tell, all central concepts and production techniques from ancient to modern are being introduced and a few basics of art critique can be found hidden in between the pages as well. Considering the purpose, the choi Art History by Stokstad et al.

Is widely used as the textbook for introductory art history courses. From the start it’s clear how this is what both the two volume and the abridged single volume editions are meant for. Keeping that in mind, I’d say it’s not a bad textbook. As far as I can tell, all central concepts and production techniques from ancient to modern are being introduced and a few basics of art critique can be found hidden in between the pages as well. Considering the purpose, the choice of presentation is unsurprising and familiar.

Just like modern art history textbooks after Vasari tend to do, the subject matter is divided into time periods. So, the first volume starts with prehistoric art, and the second volume ends with contemporary art. Mutatis mutandis for the abridged single volume edition. All major influences to Western art are handled with in lesser or greater depth. In this case anything related to the history of Western art gets a slightly deeper handling than the rest.

The choices made clearly reflect current art history curricula in many universities, so this is less a fault and more a feature. The quality of pictures is good, at least in the edition I have, and the pictures used in the text are referenced clearly, even when they land on the same page with the text. There are a few additional points worth making, though. I’m fairly certain that the book isn’t going to satisfy every reader, the non-student reader especially. To being with, a bias towards Western art is obvious, clear and non-apologetic, and Renaissance is taken as one very important big thing.

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