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Formats: Mac AU, RTAS & VST; PC RTAS & VST Rob Papen seems to be the kind of guy who is able to program inspirational synth sounds in the way that the rest of us breathe — regularly and without any apparent conscious effort. Even if you haven't heard of this Dutch sound designer by name, you'll have heard his handiwork in soundsets for Access, Alesis, Emu and Waldorf. In 2002, Papen approached Peter Linsener of Linplug with the idea of building a virtual instrument worthy of bearing both their signatures. The result was Albino, a soft synth with four oscillators, two filters, comprehensive modulation routing, and effects.

That might sound just like a lot of other 'generic' soft synths on the market, but Albino 's trump card was its 1400 high-quality sounds designed by Papen himself. These presets alone were well worth the cost of the program, and for anyone wanting to try their own hand at sound sculpture, they also showcased the exceptional range of tones and textures that Albino was capable of producing.

Version 2 duly followed, adding a powerful arpeggiator and new digital waveforms, and beefing up the effects. The latest version, Albino 3, carries the flag forward a further stage. Probably the biggest news for existing users is that each preset can be made up of four individual sound layers. This literally quadruples the creative possibilities when programming individual sounds (80 oscillators per note, anyone?). But it also makes up for the fact that Albino is not a multitimbral instrument, so if you want to run several sounds at once you have to run several instances of it. Or rather, attempt to run several instances, as Albino continues to have a large appetite for CPU resources.

Linplug reckon that a well-specified Mac or PC digital recording setup should be able to handle about 120 digital or 75 virtual analogue oscillators' worth of sounds. In real terms, on a dual-processor Power Mac G5 running Pro Tools LE, I can't realistically run more than three instances of it. Other significant Albino 3 changes occur in the filters department, where the previous Silk and Cream varieties are joined by a rather less than polite Scream variation (very tasty when the resonance is cranked up) plus a Comb filter. The effects have been expanded with a wah-wah, a great lo-fi effect, a more flexible reverb and a revised compressor. And Oscillator 1 can now be used as an audio input, so you can use the synth to process external audio. Albino 3 comes complete with 2100 new Rob Papen presets, ranging from out-and-out hardcore trance boneshakers to subtle shimmery arpeggios which fall like digital meteor showers. It's almost impossible not to feel inspired to create new music every time you load one of them up, which is surely the test of any sound designer's mettle.